Chapter ID: CBB000320010

Emulating Sound. What Synthesizers Can and Can't Do: Explorations in the Social Construction of Sound (2002)

unapi

Pinch, Trevor J. (Author)


Pages: 109--127
Publication date: 2002
Language: English


Description This is an account of the rise of the Moog synthesizer and the subsequent influence of electronically produced sound upon music and culture.


Included in

Book Zittel, Claus (2002) Wissen und soziale Konstruktion. unapi

Citation URI
stagingisis.isiscb.org/p/isis/citation/CBB000320010

This citation is part of the Isis database.

Similar Citations

Book Shapiro, Peter; Lee, Iara; (2000)
Modulations: A history of electronic music: Throbbing words on sound unapi

Book Daniel Warner; (2017)
Live Wires: A History of Electronic Music unapi

Article Böhlandt, Marco; (2008)
“Kontakte” -- Reflexionen naturwissenschaftlich-technischer Innovationsprozesse in der frühen Elektronischen Musik Karlheinz Stockhausens (1952--1960) unapi

Chapter Alexandrine Boudreault-Fournier; (2021)
Street Net and Electronic Music in Cuba unapi

Book Morris, Adalaide Kirby; (1997)
Sound states: Innovative poetics and acoustical technologies unapi

Book Prieberg, Fred K.; (1960)
Musica ex machina; über das Verhältnis von Musik und Technik unapi

Book Prendergast, Mark J.; (2003)
The ambient century: From Mahler to Moby: The evolution of sound in the electronic age unapi

Thesis Kelleher, Kevin Daniel; (2013)
The Contributions of Thomas Alva Edison to Music Education unapi

Book Zak, Albin, III; (2001)
The poetics of rock: Cutting tracks, making records unapi

Book Millard, André J.; (2004)
The Electric Guitar: A History of An American Icon unapi

Article Manning, Peter; (2003)
The influence of recording technologies on the early development of electroacoustic music unapi

Book Sinnreich, Aram; (2010)
Mashed Up: Music, Technology, and the Rise of Configurable Culture unapi

Article Mauceri, Frank X.; (1997)
From experimental music to musical experiment unapi

Book Engel, Friedrich; Kuper, Gerhard; Bell, Frank; Polzer, Joachim; (2007)
Zeitschichten: Magnetbandtechnik als Kulturträger, Erfinder-Biographien und Erfindungen; Chronologie der Magnetbandtechnik und ihr Einsatz in der Hörfunk-, Musik-, Film- und Videoproduktion unapi

Article Sterne, Jonathan; (2006)
The MP3 as cultural artifact unapi

Article Lopes, Paul; (1992)
Innovation and diversity in the popular music industry, 1969 to 1990 unapi

Article Maronttate, Jan; (2005)
Digital recording and the reconfiguration of music as performance unapi

Article Bull, Michael; (2001)
The world according to sound: Investigating the world of walkman users unapi

Book Wishart, Trevor; Emmerson, Simon; (1996)
On sonic art unapi

Chapter Gavin Steingo; (2021)
Electronic Music and the Problem of Electricity unapi

Authors & Contributors
Böhlandt, Marco
Bull, Michael
Engel, Friedrich
Millard, Andre J.
Sinnreich, Aram
Sterne, Jonathan
Journals
New Media & Society
American Behavioral Scientist
American Sociological Review
Berichte zur Wissenschaftsgeschichte
Leonardo
Perspectives of New Music
Publishers
Bloomsbury
Boston University
Caipirinha Productions
Harwood Academic Publishers
Johns Hopkins University Press
Oxford University Press
Concepts
Music
Music, electronic
Technology and music
Sound Recording Industry
Sound studies
Musical instruments
People
Edison, Thomas Alva
Farnsworth, Charles Hubert
Time Periods
20th century
20th century, late
21st century
20th century, early
19th century
Places
United States
Germany
Cuba
Institutions
Eskom (South Africa Electric supply commission
Comments

Be the first to comment!

{{ comment.created_by.username }} on {{ comment.created_on | date:'medium' }}

Log in or register to comment