Jorink, Eric (Editor)
Ramakers, Bart (Editor)
WBOOKS
Publication date: 2011
Language: English
Edition Details: [Kunst en wetenschap in de vroegmoderne Nederlanden] Dutch title.
Physical Details: 367 pp.; ill.; bibl.; index
The early modern age saw a flourishing of the arts, but also of the sciences, first in the southern Netherlands and later also in the Dutch republic. This volume of the NKJ is dedicated to the rich and complex relationships between both fields in the early modern Netherlands, , a relationship which went much further than the use of linear perspective in painting. Both in theory and in everyday practice, the distinction between 'art' and 'science' was hard to sustain, and often proved to be not that relevant at all. Artists perfected the portrayal of human anatomy, natural historians reflected on the visual representation of previously unknown forms of life, and wealthy citizens possessed cabinets of curiosities in which naturalia and articificalia shared prominence. The case studies in this rich and challenging volume explore such topics as the influence of pictography, theories of vision and colour, the influence of Cartesian natural philosophy on art theory, and the allegorisation of science in Dutch frontispieces, amongst others.
...MoreDescription Contents:
Review Claudia Swan (2016) Review of "Art and Science in the Early Modern Netherlands". Isis: International Review Devoted to the History of Science and Its Cultural Influences (pp. 161-163).
Review Berkel, Klaas van (2013) Review of "Art and Science in the Early Modern Netherlands". Renaissance Quarterly (pp. 996-997).
Chapter Jorink, Eric; Ramakers, Bart (2011) Undivided Territory: “Art” and “Science” in the Early Modern Netherlands. In: Art and Science in the Early Modern Netherlands (p. 6).
Chapter Margócsy, Dániel (2011) The Camel's Head: Representing Unseen Animals in Sixteenth-Century Europe. In: Art and Science in the Early Modern Netherlands (p. 62).
Chapter Roemer, Gijsbert M. van de (2011) Regulating the Arts: Willem Goeree versus Samuel van Hoogstraten. In: Art and Science in the Early Modern Netherlands (p. 184).
Chapter Weststeijn, Thijs (2011) From Hieroglyphs to Universal Characters: Pictography in the Early Modern Netherlands. In: Art and Science in the Early Modern Netherlands (p. 238).
Chapter Spaans, Joke (2011) Art, Science and Religion in Romeyn de Hooghe's Hieroglyphica. In: Art and Science in the Early Modern Netherlands (p. 282).
Chapter Ramakers, Bart (2011) Staging Nature: Observation, Imagination and Experience in E.M. Post's Het land, in brieven (1788). In: Art and Science in the Early Modern Netherlands (p. 332).
Chapter Dupré, Sven (2011) The Historiography of Perspective and Reflexy-Const in Netherlandish Art. In: Art and Science in the Early Modern Netherlands (p. 34).
Chapter Rikken, Marrigje; Smith, Paul J. (2011) Jan Brueghel's Allegory of Air (1621) from a Natural Historical Perspective. In: Art and Science in the Early Modern Netherlands (p. 86).
Chapter Leonhard, Karin (2011) Painted Poison: Venomous Beasts, Herbs, Gems, and Baroque Colour Theory. In: Art and Science in the Early Modern Netherlands (p. 116).
Chapter Jorink, Eric (2011) Beyond the Lines of Apelles: Johannes Swammerdam, Dutch Scientific Culture and the Representation of Insect Anatomy. In: Art and Science in the Early Modern Netherlands (p. 148).
Chapter Vermij, Rienk (2011) The Light of Nature and the Allegorisation of Science on Dutch Frontispieces around 1700. In: Art and Science in the Early Modern Netherlands (p. 208).
Chapter Dijksterhuis, Fokko Jan (2011) “Will the Eye be the Sole Judge?”: “Science” and “Art” in the Optical Inquiries of Lambert ten Kate and Hendrik van Limborch around 1710. In: Art and Science in the Early Modern Netherlands (p. 308).
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