Chapter ID: CBB059161563

Inventing Interfaces: Camillo’s Memory Theater and the Renaissance of Human-Computer Interaction (2020)

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He called upon future generations of “wise men” (11)¹ to fulfill what he had left unfinished. Throughout the last two decades of his life, Giulio Camillo (1480?–1544) worked on his legendary Theatro , a room-size wooden construction in the style of the Vitruvian theater that supposedly contained “the Ideas of everything Celestial and Inferior” in symbolic form, thus enabling its visitor to memorize the entire cosmos. Although, or rather because, his “fabrica” had been seen by only a few people—the king of France and the Dutch statesman Viglius among them—it attracted the curiosity of his contemporaries. During an

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Book Charlene Villaseñor Black; Mari-Tere Álvarez (2019-11-01) Renaissance Futurities: Science, Art, Invention. unapi

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Authors & Contributors
Beecher, Donald A.
Beltran, Maria Helena Roxo
Campanini, Saverio
Crouvizier, Renan
Devaux, Guy
García Valverde, José Manuel
Journals
Asclepio: Archivo Iberoamericano de Historia de la Medicina
Bruniana & Campanelliana: Ricerche Filosofiche e Materiali Storico-testuali
Circumscribere: International Journal for the History of Science
Dianoia: Annali di storia della filosofia
Earth Sciences History: Journal of the History of the Earth Sciences Society
History of Science
Publishers
Archè
Ashgate
Bompiani
Brill
Centre for Reformation and Renaissance Studies
Da Capo Press
Concepts
Natural philosophy
Philosophy
Symbolism; symbolic representation
Memory
Alchemy
Medicine
People
Bruno, Giordano
Camillo, Giulio
Leonardo da Vinci
Cardano, Girolamo
Cervantes Saavedra, Miguel de
Dee, John
Time Periods
16th century
Renaissance
17th century
15th century
Early modern
Medieval
Places
Europe
Italy
Paris (France)
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