Broglio, Ron (Author)
Uses literature, art, and cultural texts from the British Romantic period to explore the age in which biological life and its abilities first became regulated by the rising nation. In Beasts of Burden, Ron Broglio examines how lives, human and animal, were counted in rural England and Scotland during the Romantic period. During this time, Britain experienced unprecedented data collection from censuses, ordinance surveys, and measurements of resources, all used to quantify the life and productivity of the nation. It was the dawn of biopolitics, the age in which biological life and its abilities became regulated by the state. Borne primarily by workers and livestock, nowhere was this regulation felt more powerfully than in the fields, commons, and enclosures. Using literature, art, and cultural texts of the period, Broglio explores the apparatus of biopolitics during the age of Adam Smith and Thomas Malthus. He looks at how data collection turned everyday life into citizenship and nationalism and how labor class poets and artists recorded and resisted the burden of this new biopolitical life. The author reveals how the frictions of material life work over and against designs by the state to form a unified biopolitical Britain. At its most radical, this book changes what constitutes the central concerns of the Romantic period and which texts are valuable for understanding the formation of a nation, its agriculture, and its rural landscapes.
...MoreReview Anna Feuerstein (2018) Review of "Beasts of Burden: Biopolitics, Labor, and Animal Life in British Romanticism". Agricultural History (pp. 444-445).
Review Margaret Ronda (2020) Review of "Beasts of Burden: Biopolitics, Labor, and Animal Life in British Romanticism". Isis: International Review Devoted to the History of Science and Its Cultural Influences (pp. 888-889).
Review Margaret Ronda (2020) Review of "Beasts of Burden: Biopolitics, Labor, and Animal Life in British Romanticism". Isis: International Review Devoted to the History of Science and Its Cultural Influences (pp. 888-889).
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